Fiction

🛰 “We Can Voyage There,” Nimrod

🪆 “Love Was This Alone,” New Orleans Review

👨‍👨‍👦‍👦 “The Binding Thing,” New Letters

📛 “Men Who Become Verbs,” The Masters Review

🔥 “My Father’s Remedy,” Ecotone

💔 Excerpts from Sleight: “The Truest Thing is an Open Mouth,” “Two High Schoolers Hold Me Down as I Drown,” “Prayer to Bouncer,” “Wound Healing,” “The Stars, Oh The Stars,” “First Things First;” The Florida Review

🌾 “I Am Born Before the Written Word,” Quarter After Eight

💃 “Before He Made Love He Made Light,” New Ohio Review

⛈️ “A Hundred Ways to Die,” Los Angeles Review. Reprinted in the Best of The Los Angeles Review.

🔮 “The Worst Kind of Faith,” Witness

🤑 “Safe,” SmokeLong Quarterly

Essays

🏥 “The New Narrative Medicine: The Ethical Implications of Artificial Intelligence on Healthcare Narratives,” Monash Bioethics Review (Co-authored with Elizabeth Lanphier)

🏺 “‘Harv Is Plowing Now’: Absence is a Form of Structure,” The John Updike Review

🧘 “Possibility is Spellbinding: The Lightness by Emily Temple,” The Rumpus

🧭 “On Percival Everett’s Almost Secret Experiment in a Novel in Threes,” Literary Hub

🔀 “How Choose-Your-Own-Adventure Shows Up in Literary Fiction,” Literary Hub

🤖 “Social Media and The Sublime, Online,” Quartz

📱 “Our Expanded Vocabulary: Talking on the Phone, Revisited,” The Startup

Film

🛰 “We Can Voyage There,” dir. Tedra Millan, Floor 1 Productions. Semi-Finalist for New York International Women Festival. Selected for Coney Island Film Festival and Philadelphia Independent Film Festival.

Stage

🧂 “Nineteen Twenty-Six,” published in Red Bull Shorts Vol. 5 after winning Red Bull Theater’s Short New Play Festival. Press in Theater Mania and Broadway World. Click here for rights and licensing.